Each year I do this post rounding up what I did in the previous year. It's a useful way for me to track projects.
-I was at Open School East (OSE) as an Associate until July.
-I ran the first phase of The Bad Vibes Club - a research project into morbid ethics - at Open School East.
-At the London Art Fair I showed some work at Space in Between's stand, and the ARKA group's The Ocelli was included in the film programme.
-The mud formed a finger, pointed by the ARKA group was exhibited as an off-site Space in Between project at Sutton House.
-I began the Radio Anti broadcasting project with Ross Jardine.
-I did more music recording and production work that I still can't talk about but will actually be coming out this year, unlike last year when I said the same thing about the same project.
-OSE had a short residency at Performing Arts Forum in St. Ermes, France.
-Along with Jonathan Hoskins and Lisa Skuret I went to New York to take part in a week long series of events, and present at the Composing Differences symposium at MOMA PS1. A publication with a text by myself, Jon and Nova Benway from The Public School will be available in 2015.
-Just looking through my calendar, it seems like we drank a lot at OSE.
-I made a new performance work with Daniel Oliver called I'm Here. You're Here. Let's Discourse!
-The ARKA group presented Beginnings at Whitstable Bienniale.
-OSE had a week long residency/lovely holiday at CAST in Helston.
-I tried out a new performance piece called Communal Juicing at OSE's exhibition at PEER gallery.
-I made a new film, Clypping (with Tim Bowditch) and a new performance, Somatic Practice (with Eleanor Sikorski) for Wirksworth Festival.
-The ARKA group presented Beginnings at Axolotl, a group exhibition at Model Gallery in Liverpool.
-In what would eventually become a kind of weird research project leading me towards emotionally and physically terrifying situations that I mined for creative content, but originally began as a way of meeting new people, I joined Tinder.
-Radio Anti produced a day of performances and broadcasts for the Art Licks Weekend. You can listen to the recordings online here.
-And, without any conflict of interest whatsoever, I also produced a new performance for another part of the Art Licks Weekend, called Communal Juicing, performed by Katie Braden, Daniel Oliver and a masticating, cold press juicer.
-I had a solo show, also called Communal Juicing at Space in Between.
-The ARKA group's film EXTRAMISSION (2011) was screened at Night Contact as part of Brighton Photo Biennale.
-The ARKA group exhibited On Between, a new installation of sculptures and sound, at Zabludowicz Collection.
-OSE had a fundraiser, and with the help of Lucy Beech's barnstorming speech, managed to raise the money they needed to run for another two years. Yaaaaaaaaay.
-The Bad Vibes Club began to produce original research, I gave a talk about music, melancholy and philosophy at the ICA called The Minor Sixth
-Myself and Matt Breen also produced a segment for Jenny Moore's You Can't Win Them All Ladies and Gentlemen live radio project, a critical appreciation of the film Happiness by Todd Solondz.
-And now it's 2015 and your life is slipping away from you.
Have a good year everybody.
MAO: Live in the Studio Day 4 (pt 1)
Eleanor Sikorski is on her way. I'm going to write this, then she's going to arrive and make everything work. I've had an idea. I'm glad about that.
Perversity and Bodily Desire
At the heart of sex is abjection. An exchange of fluids - saliva, vaginal fluid, semen, anal mucous. In sex there is a tacit agreement to somehow ignore (transcend?) the historically/evolutionary produced psychological response to these materials as things to be cast off or cleaned up.
More than that. In sex, these abject materials are revered, they are the sacred fluids of shared bodily desire.
At the heart of sex is abjection, and this reveals a perversity at the core of bodily desire. And from bodily desire we lift the metaphor of all other desiring activity. There is no desire that is not a perverse desire.
Perversity and Bodily Desire
At the heart of sex is abjection. An exchange of fluids - saliva, vaginal fluid, semen, anal mucous. In sex there is a tacit agreement to somehow ignore (transcend?) the historically/evolutionary produced psychological response to these materials as things to be cast off or cleaned up.
More than that. In sex, these abject materials are revered, they are the sacred fluids of shared bodily desire.
At the heart of sex is abjection, and this reveals a perversity at the core of bodily desire. And from bodily desire we lift the metaphor of all other desiring activity. There is no desire that is not a perverse desire.
The ultimate perversity is Thanatos, or, the death drive. The death drive is the drive (or the french "pulsion". I like pulsion, it feels less packed with agency, less about decision. Like the difference between choice and selection.) to return to a non-living state. The urge to be dead. It opposes Eros - the urge to survive and reproduce. They meet each other in sex.
The urge to love until you produce more life. The urge to fuck until you die.
No, that doesn't get it really. They're not really opposed. It's more like sex is somehow also death, la petite mort.
MAO: Live in the Studio Day 2 (pt 1)
I abject
You abject
He/She/It abjects
We abject
You abject
They abject
Origin
I'd like to verb the noun please. I think we're doing it all the time, abjecting things, casting them off, pushing them away. Down more like, down below us, so we can rise above them. So we can transcend them.
Abjection, Transcendence, Desire & Disgust
Abjection has previously been related to the human body (via Jacques Lacan/Julia Kristeva). Here's an incomplete list of abject things: dead bodies, innards and organs revealed to us by accident or design, blood, shit, piss, vomit, mucous and pus, semen and vaginal fluid, saliva, body odours and farts, coughs and sneezes.
The abject is that which is between subject and object, that which the subject casts off, into objecthood, in order to transcend objecthood and retain its identity as a subject.
But what if we operate within a discourse of objects? Well, then there are no subjects. Only objects with particular orientations, consciousnesses and metaphysics.
The act or process of abjecting is no longer restricted to that which was human being abjected into the non-human, but becomes a wider process of shedding material - conceptual or physical - in order to retain a particularity of being.
To give real world examples of non-human abjecting processes is necessarily anthropomorphic and implicitly tainted with human metaphysics, but even to imagine these anthropomorphised abjecting processes is to understand that they exist: a tree shedding leaves, a fire consuming oxygen and producing carbon dioxide, a computer processor pumping out heat, a local council selling its property interests, an international brand subcontracting production to the economic south.
And, to return to the human (which tbh we never left) we now have an expanded notion of abjection for ourselves, beyond the bodily abjection of Lacan/Kristeva.
I call it cultural abjection.
Cultural abjection is the process by which humans define themselves by rejecting that which they are not. It's a simple process - an act of selection, "choosing" one thing over another. Selection is something we all do, whether that's selecting one brand of coconut water (rather than another brand of coconut water), or selecting to get the bus (rather than to walk, or cycle, or drive a car).
I don't mean to imply free will here, some kind of free floating agency. Agency is a privilege, defined by cultural, economic and social context. But even if you can't drive the car (because, say you haven't got enough money to own one, or there aren't any roads), you still don't drive a car. Even if there is only one brand of coconut water in the off licence, you still don't drink the other brands available elsewhere.
If you're put off by this line of thought, don't worry, I agree with you. It's terribly off-putting. It brings up an awful, out of date, bourgeois notion; that of taste. And taste, I'm sure we'd all agree, is a notion to be rejected, a notion to rise above, a notion to transcend. Taste is to be abjected.
What I'm interested in is the possibility that taste is not some irrelevant effervescence produced by ideologies and cultural/socio-economic contexts, but that it is an essential part of those ideologies. Taste (the act of selecting one thing over another) helps produce those ideologies, as those ideologies help produce taste.
How does the bourgeois reproduce itself? Through selection that enforces the symbolic order in which it operates.
(I guess it should be more like, how do we bourgeois reproduce ourselves, though I'm cringingly aware that I'm often not as bourgeois as I thought I was. My family drank a lot of orange juice from concentrate, I call public school private school, I've never been skiing.)
Modern Art Oxford Live in the Studio Day 1
In McDonald's I sat next to three teenage boys on their phones with headphones in exchanging information through the free wifi and through speaking and listening. One of them had a girlfriend or a girl he knew I didn't know which. He spoke to her on his phone and another one filmed him on his phone and said fifty shades of gay.
New Look don't sell wet look leggings any more. What size she said. I said it doesn't matter. They're only on the sale rail now she said.
Shoes in Primark. Oh my god these shoes were a pound said the girl behind the till. I said that's because they're disgusting. I had a semi-erect penis whilst walking around Primark holding wet look leggings, nude platform heels and a pink fleece.
Happiness by The Bad Vibes Club
A lecture with sampled sound clips from the 1998 Todd Solondz film 'Happiness', written and performed by Matt Breen and Matthew de Kersaint Giraudeau of The Bad Vibes Club, originally presented as part of 'You Can't Win Them All', a radio project by Jenny Moore, 2014.
The Minor Sixth by The Bad Vibes Club
Lecture with sampled music written and performed by Matthew de Kersaint Giraudeau of The Bad Vibes Club. First given at the ICA as part of 'Realisms and Object Orientations: Art, Politics and the Philosophy of Tristan Garcia', 2014
The Political Implications of Flatness
Yesterday I presented at Realisms and Object Orientations: Art, Politics and the Philosophy of Tristan Garcia at the ICA.
I was speaking about the pre-ideological affective states that might orientate a thinker towards thinking certain thoughts. I was trying to burrow into the the reasons as to why certain ideas are fashionable, or seem relevant at certain times and to certain people. Why is ontology currently the most on trend area of philosophical study after 200 years of neglect? And why are so many humans with a seemingly natural investment in the concept of the subject, so fascinated by the possibility of seeing the world in terms of objects?
The talk went well, thanks to those who came. I'll post a version of it online soon.
But for now I wanted to address some of the political discussions that took place yesterday - or at least, began to take place. We were lucky enough to have Tristan Garcia speaking at the symposium. I did three days of seminars with Tristan in New York in April and I'm halfway through reading his systematic philosophical work, Form and Object.
Form and Object is an interesting piece of object orientated philosophy because a flat ontology is the basis of Garcia's system of thought, rather than its goal. The book is split into two parts: Form, laying out the formal ontology of what Garcia calls things, and Object, which is Garcia's metaphysics applied to various subjects including but not limited to ageing, death, genders, animals, and representations. Garcia's ontology is 'poor' and 'weak', 'depressed' even, with a thing defined as needing only the minimal determination necessary to ensure its existence. Within his ontology there can be no interaction, no complexity, no unity, no distinction between real and unreal. But this formal system is, he says, useless when confronted with objects. Once you are in the realm of objects, for example in the physical universe in which humans operate, then you are no longer in the domain of ontology but of metaphysics. Garcia defines metaphysics as a process of ordering - deciding what matters - and with metaphysics you are able to comprehend objects within objects, complexity, interaction, time, change, the difference between true and false, etc. etc. Garcia's ontology is flat in order that he might build his metaphysics on level ground.
In his lecture yesterday he laid out the political foundations for his project. I'm not sure if this is something he has developed in response to the wider political critique of Speculative Realism and Object Oriented Ontology, but it was nice to hear politics explicitly addressed. Garcia spoke about his use of the word liberal when describing ontology. He clarified that liberal ontology is the existing ontology of liberalism. His ontology is what he calls 'ultra-liberalism' - using ultra in the original Greek sense of 'beyond'. This could be seen as a kind of accelerationist ontology, a race to the bottom, to reify everything to a something. The substantial difference between accelerationism and Garcia's project, I think, is that for Garcia, ontology doesn't have a singularity at which collapse might occur. There is nothing beneath the bottom of being. Indetermination does not count as an ontological determination, however liberal you are with your definition of a thing, and therefore, there is no trapdoor, no exit plan, there is no escape from being. This goes along with an understanding of liberalism/modernity/capitalism/whatever that is very similar to Latour's understanding of The Moderns. For Garcia, capitalism makes everything equally a thing in order to make things equivalent (i.e., in order to make them tradeable), but it uses this ontology to tricksily justify a metaphysics that makes certain things and ideas, e.g. the idea of possession (of oneself, and of property), into transcendent ideals, more-than-things in Garcia's terms . It does this through the ontological determination of unity - that something is the same thing over time - and through the in-itself (or the compact as Garcia terms it) - the idea that certain things have possession of themselves and full access to themselves. (It doesn't really matter whether you're thinking of humans as transcendent subjects or non-humans as objects that fully and authentically inhabit themselves, the important thing is that it contradicts the liberal ontology of equality.) The point is that the ontology of liberalism claims flatness (equality) but also maintains economic and political ideologies (metaphysics) that give more importance/existence to certain ideas/things than to others, the notion of private property being just one obvious example.
He then went on to criticise the effectiveness of critique, which for Garcia (I'm paraphrasing hugely here), just keeps on pointing out things which cannot be reified by capitalism and which capitalism then (rightly, in Garcia's view) inevitably reifies - much to the shock of the critics but not to the shock of the capitalists (just for clarity, I'm kind of personifying capitalists and capitalism here, but I don't think that capitalism is consciously enacted by a group of people that see themselves as capitalists). Critique in Garcia's view, is just a way of keeping the process moving.
The political struggle, Garcia implies, is not located in halting reification or finding sanctuary from capitalism in something that cannot be turned into a thing, but in confronting the metaphysics of capitalism, and to do this, we need to find a plane of being from which to operate. A place where nothing can be reified (because it is already a thing), and nothing can be alienated (because no thing is in full possession of itself). This is Garcia's ultra-liberal ontology.
(And thanks here to Iain MacKenzie for his wonderful reading of Garcia in terms of possession.)
So the important question must be this: what are the metaphysics/ideologies implied by this ultra-liberal ontology?
This is trickier. We don't know yet, I guess. That's the short version. The metaphysics are in the process of being built through thought and writing and reading and discourse. That's why it's exciting. If you've ever read Timothy Morton or Donna Harroway you can see its implications for ecology, but elsewhere in the political sphere its not so obvious. In fact, its implications are quite ambiguous.
For me, it's not clear how an ultra-liberal ontology is much different from a liberal ontology in terms of how it might be used by capitalism, i.e., if capitalism claims a liberal ontology of equality as its base, but then also utilises a metaphysics of inequality in its practice, why couldn't it use this new, ultra-liberal ontology from which to build its contradictory metaphysics?
An ultra liberal ontology could also be seen as simply a critque of a liberal ontology - 'you haven't gone far enough'. And pointing out the contradictions inherent in capitalism (even if it is in the rather novel area of ontology and metaphysics) is Marx, and what is Marx if not the critiquing capitalist par excellence? (If you know what I mean.)
One possibility I'm interested in discussing is that the ontology that is most accurate (and I do believe that a hyper-flat ontology of Garcia's kind really is an accurate description of being) might not necessarily lead to a politics that we want, and if so, what do we do then? (Clue: the answer is not turn back to the transcendent subject.)
I was speaking about the pre-ideological affective states that might orientate a thinker towards thinking certain thoughts. I was trying to burrow into the the reasons as to why certain ideas are fashionable, or seem relevant at certain times and to certain people. Why is ontology currently the most on trend area of philosophical study after 200 years of neglect? And why are so many humans with a seemingly natural investment in the concept of the subject, so fascinated by the possibility of seeing the world in terms of objects?
The talk went well, thanks to those who came. I'll post a version of it online soon.
But for now I wanted to address some of the political discussions that took place yesterday - or at least, began to take place. We were lucky enough to have Tristan Garcia speaking at the symposium. I did three days of seminars with Tristan in New York in April and I'm halfway through reading his systematic philosophical work, Form and Object.
Form and Object is an interesting piece of object orientated philosophy because a flat ontology is the basis of Garcia's system of thought, rather than its goal. The book is split into two parts: Form, laying out the formal ontology of what Garcia calls things, and Object, which is Garcia's metaphysics applied to various subjects including but not limited to ageing, death, genders, animals, and representations. Garcia's ontology is 'poor' and 'weak', 'depressed' even, with a thing defined as needing only the minimal determination necessary to ensure its existence. Within his ontology there can be no interaction, no complexity, no unity, no distinction between real and unreal. But this formal system is, he says, useless when confronted with objects. Once you are in the realm of objects, for example in the physical universe in which humans operate, then you are no longer in the domain of ontology but of metaphysics. Garcia defines metaphysics as a process of ordering - deciding what matters - and with metaphysics you are able to comprehend objects within objects, complexity, interaction, time, change, the difference between true and false, etc. etc. Garcia's ontology is flat in order that he might build his metaphysics on level ground.
In his lecture yesterday he laid out the political foundations for his project. I'm not sure if this is something he has developed in response to the wider political critique of Speculative Realism and Object Oriented Ontology, but it was nice to hear politics explicitly addressed. Garcia spoke about his use of the word liberal when describing ontology. He clarified that liberal ontology is the existing ontology of liberalism. His ontology is what he calls 'ultra-liberalism' - using ultra in the original Greek sense of 'beyond'. This could be seen as a kind of accelerationist ontology, a race to the bottom, to reify everything to a something. The substantial difference between accelerationism and Garcia's project, I think, is that for Garcia, ontology doesn't have a singularity at which collapse might occur. There is nothing beneath the bottom of being. Indetermination does not count as an ontological determination, however liberal you are with your definition of a thing, and therefore, there is no trapdoor, no exit plan, there is no escape from being. This goes along with an understanding of liberalism/modernity/capitalism/whatever that is very similar to Latour's understanding of The Moderns. For Garcia, capitalism makes everything equally a thing in order to make things equivalent (i.e., in order to make them tradeable), but it uses this ontology to tricksily justify a metaphysics that makes certain things and ideas, e.g. the idea of possession (of oneself, and of property), into transcendent ideals, more-than-things in Garcia's terms . It does this through the ontological determination of unity - that something is the same thing over time - and through the in-itself (or the compact as Garcia terms it) - the idea that certain things have possession of themselves and full access to themselves. (It doesn't really matter whether you're thinking of humans as transcendent subjects or non-humans as objects that fully and authentically inhabit themselves, the important thing is that it contradicts the liberal ontology of equality.) The point is that the ontology of liberalism claims flatness (equality) but also maintains economic and political ideologies (metaphysics) that give more importance/existence to certain ideas/things than to others, the notion of private property being just one obvious example.
He then went on to criticise the effectiveness of critique, which for Garcia (I'm paraphrasing hugely here), just keeps on pointing out things which cannot be reified by capitalism and which capitalism then (rightly, in Garcia's view) inevitably reifies - much to the shock of the critics but not to the shock of the capitalists (just for clarity, I'm kind of personifying capitalists and capitalism here, but I don't think that capitalism is consciously enacted by a group of people that see themselves as capitalists). Critique in Garcia's view, is just a way of keeping the process moving.
The political struggle, Garcia implies, is not located in halting reification or finding sanctuary from capitalism in something that cannot be turned into a thing, but in confronting the metaphysics of capitalism, and to do this, we need to find a plane of being from which to operate. A place where nothing can be reified (because it is already a thing), and nothing can be alienated (because no thing is in full possession of itself). This is Garcia's ultra-liberal ontology.
(And thanks here to Iain MacKenzie for his wonderful reading of Garcia in terms of possession.)
So the important question must be this: what are the metaphysics/ideologies implied by this ultra-liberal ontology?
This is trickier. We don't know yet, I guess. That's the short version. The metaphysics are in the process of being built through thought and writing and reading and discourse. That's why it's exciting. If you've ever read Timothy Morton or Donna Harroway you can see its implications for ecology, but elsewhere in the political sphere its not so obvious. In fact, its implications are quite ambiguous.
For me, it's not clear how an ultra-liberal ontology is much different from a liberal ontology in terms of how it might be used by capitalism, i.e., if capitalism claims a liberal ontology of equality as its base, but then also utilises a metaphysics of inequality in its practice, why couldn't it use this new, ultra-liberal ontology from which to build its contradictory metaphysics?
An ultra liberal ontology could also be seen as simply a critque of a liberal ontology - 'you haven't gone far enough'. And pointing out the contradictions inherent in capitalism (even if it is in the rather novel area of ontology and metaphysics) is Marx, and what is Marx if not the critiquing capitalist par excellence? (If you know what I mean.)
One possibility I'm interested in discussing is that the ontology that is most accurate (and I do believe that a hyper-flat ontology of Garcia's kind really is an accurate description of being) might not necessarily lead to a politics that we want, and if so, what do we do then? (Clue: the answer is not turn back to the transcendent subject.)
Solitude and the Affective States of a Flat World
I will be speaking at Realisms and Object Orientations: Art, Politics and the Philosophy of Tristan Garcia, at the ICA on this Friday, 5th December 2014.
Here's the blurb that I wrote before I started writing the thing. It's about ontology and affect, music and adolescence, loneliness and solitude. I'll be talking about the minor sixth interval in the music I listened to as a teenager and how we might seek the philosophy that is in tune with the way we feel.
Solitude and the Affective States of a Flat World
'If everything is one, then that one thing is alone' - Tao Lin, Twitter, 2013
'Solitude is by definition the only relation to the world' - Tristan Garcia, Form and Object, 2014
How do things exist and how do we talk about them? In this talk with images, Matthew de Kersaint Giraudeau will examine the affective states implied by a flattened plane of being, through the language used to describe them. Beginning with an oblique reading of Tristan Garcia's Form and Object he will examine the ambiguous affective relationship between things, the world and language.
Here's the blurb that I wrote before I started writing the thing. It's about ontology and affect, music and adolescence, loneliness and solitude. I'll be talking about the minor sixth interval in the music I listened to as a teenager and how we might seek the philosophy that is in tune with the way we feel.
Solitude and the Affective States of a Flat World
'If everything is one, then that one thing is alone' - Tao Lin, Twitter, 2013
'Solitude is by definition the only relation to the world' - Tristan Garcia, Form and Object, 2014
How do things exist and how do we talk about them? In this talk with images, Matthew de Kersaint Giraudeau will examine the affective states implied by a flattened plane of being, through the language used to describe them. Beginning with an oblique reading of Tristan Garcia's Form and Object he will examine the ambiguous affective relationship between things, the world and language.
The ARKA group in conversation at Zabludowicz Collection
The ARKA group talk about their exhibition 'On Between' at Zabludowicz Collection.
They accompanied their talk with a selection of videos and images which can be found at the links below (not in order)
www.youtube.com/watch?v=SL1ZJQ4Je…&feature=youtu.be - guy dressed as tiger playing with inflatables
www.youtube.com/watch?v=ulL6A3Satis - Furry fox on a dragon
www.youtube.com/watch?v=lKGtb_HFkS8 - A messy girl vid Ben sent me ages ago
www.youtube.com/watch?v=RhHOJjpWB7U - Even better one
www.youtube.com/watch?v=biiIsj6q3…tch?v=biiIsj6q3Bs - oh but this is the best one (the silvery mud)
ashortdescriptionofmypoo.blogspot.co.uk/2013/….html - an image dump of 'Milk Bags' on my blog
ashortdescriptionofmypoo.blogspot.co.uk/2013/….html - Blog I wrote in 2012 with pictures of wrapped things
ashortdescriptionofmypoo.blogspot.co.uk/2013/….html - Blog about a visit I made to Ireland to reserach abandoned housing developments. Lots of images at the end
ashortdescriptionofmypoo.blogspot.co.uk/2013/….html - "Humilated objects"
ashortdescriptionofmypoo.blogspot.co.uk/2012/….html - Philip Guston drawings that I think about a lot
docs.google.com/file/d/0B3j21ywWR…BOUtZOUlIWkk/edit - A lecture I update every now and again (this is the first version), called "Acceptable Blocakges", has lots of pictures of found sculptures.
www.youtube.com/watch?v=ySeVBDvmvFc - v weird vid of 3d models sinking in mud
www.mediafire.com/watch/wvnb66yo8a…ets+the+Girl.wmv - vid of 3d models being eaten by giant worm and digested
www.youtube.com/watch?v=YG5qDeWHN…1843473A8&index=3 - A few things from Mark Leckey's 'New Medievalism' list on youtube
www.youtube.com/watch?v=havb9hWk6i0 - wool bondage
Communal Juicing: In Conversation
Last month me and Eva Rowson chatted about my exhibition and performance Communal Juicing at Space in Between.
Some people came to watch us talk and there were some good questions and comments from people.
Then we went to the pub and then we went to Franco Manca and ate a pizza. It was a satisfying evening. On the way to the talk me and Ben (the other person in the ARKA group) ate champagne Magnum ice creams because we felt tired and I'd really recommend that as a little pick me up if you're feeling low.
Some people came to watch us talk and there were some good questions and comments from people.
Then we went to the pub and then we went to Franco Manca and ate a pizza. It was a satisfying evening. On the way to the talk me and Ben (the other person in the ARKA group) ate champagne Magnum ice creams because we felt tired and I'd really recommend that as a little pick me up if you're feeling low.
Communal Juicing
Performance with kale, celery apple, ginger and lemon juice, (2014)
Performed by Katie Braden, Daniel Oliver, Jessica Schouela & Omega 8006 Masticating Juicer And Nutrition Centre
Camera by Tim Bowditch
Sound by Sarah Bayliss
Commissioned by Art Licks Weekend/Space in Between
Thanks to Space in Between,
Somatic Practice
Somatic Practice, performance for broadcast with Eleanor Sikorski, 2014.
Commissioned by Rose Lejeune with Field Broadcast at Wirksworth Festival.
Clypping
HD video, flat screen television, amplifier, speakers, media player, aggregate, sandbags, copper coins, HDMI cable, Lucozade bottle
Commissioned by Rose Lejeune for Wirksworth Festival, 2014.
--
The Affective Qualities of Dismissing Subjectivity
From, 'After Hegel: An Interview with Robert Pippin'
'This kind of critique of human subjectivity is essentially the result of those Paul Ricouer called the “masters of suspicion”: Marx, Nietzsche, and Freud. These are the first to suggest that the domain of conscious intention, decision, and judgment is merely an appearance, while the true determinates of what we take ourselves to be consciously determining are actually inaccessible to consciousness. The domain of our conscious attentiveness is a kind of illusion, a pretension to run the show of our own lives, whereas it is actually some manifestation of the relation between the mode of production and the relations of production in a given society, or the will to power, or the unconscious. What poststructuralism did, which is essentially a post-Heideggerian phenomenon, is intensify the skepticism about the possibility of running any show, by destabilizing the attempt to identify these so-called true forces of determination—the unconscious, the will to power, economic relations of class, and so on. Such an intense skepticism that we could ever come to any determination about those latent forces leaves one in a of condition of complete indeterminacy—a “floating signifier.”
The central response from the Hegelian tradition we have been discussing is that the conclusion of utter indeterminacy points immediately to its own practical unintelligibility. In other words, suppose you are convinced that human subjectivity, in this somewhat crude sense of “running the show,” is an illusion. What would it be to properly acknowledge this fact, in one’s life, from the first-person point of view? Are you supposed to wait around indefinitely, to see what your indeterminate forces do? There’s some enormous overcorrection in the history of Western thought since roughly Marx and Nietzsche, in which all sorts of babies are being thrown out with all kinds of bath water'
'This kind of critique of human subjectivity is essentially the result of those Paul Ricouer called the “masters of suspicion”: Marx, Nietzsche, and Freud. These are the first to suggest that the domain of conscious intention, decision, and judgment is merely an appearance, while the true determinates of what we take ourselves to be consciously determining are actually inaccessible to consciousness. The domain of our conscious attentiveness is a kind of illusion, a pretension to run the show of our own lives, whereas it is actually some manifestation of the relation between the mode of production and the relations of production in a given society, or the will to power, or the unconscious. What poststructuralism did, which is essentially a post-Heideggerian phenomenon, is intensify the skepticism about the possibility of running any show, by destabilizing the attempt to identify these so-called true forces of determination—the unconscious, the will to power, economic relations of class, and so on. Such an intense skepticism that we could ever come to any determination about those latent forces leaves one in a of condition of complete indeterminacy—a “floating signifier.”




































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